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SESC - SÃO PAULO
Stemming from
a double root, video was built upon technological inventiveness and the
screens broadcasted imagery. It germinated in indifferent territory to project
itself in rapid ascent to autonomy. In record breaking time it assumed and
donned its own apparel, staked out a territory and created a personalized
idiom with its own peculiar syntax and articulations. In other words it
established itself as a new way to focalize, reveal and interpret the world.
Above all, it expanded the universe of artistic representation, giving it
an especially concise resource - the same badge under which we find poetry.
At times in
tune with the vertiginous ideals of post-modern art, where we find the shattering
of fixed conventions and the celebration of that which is not permanent,
video brings with it the benefit of being a field little explored, ready
for aesthetic experimentation, investigation of form and the brave search
for what is original and new.
In this,
its 11th edition, Videobrasil continues with its policy of amplifying
and multiplying its proposed activities. Along with exhibitions, video-installations,
performances, debate forums and the video-newspaper, Videobrasil this
year presents - through installations, conferences and retrospectives
- a homage to Nam June Paik, the first artist to unite, in the 60's,
art and television.
For SESC, an
institution dedicated to divulging culture, the event , besides its other
merits, gains significance as well because of its fundamental possibility:
that of establishing contact between the public and artistic creation.
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